The Shard and the Winchester Geese - The Cross Bones Cemetery, London

By Jeanette Farrell:

To walk along the river Thames from London Bridge, east towards Vauxhall is to walk in the shadow of tall, misshapen skyscrapers that have a habit of suffocating us minions who lurk below. As Londoners we’re given to kowtowing to the inevitable as another patch of sky is taken away and yet we admonish our city when beauty gives way with increasing ferocity to the financial services sector. ‘That’s life’, they say, and so it is.

The Shard is a strange spectacle; so obvious it hardly seems noticeable. It was the first proper skyscraper to land on the south side of the city, tenuous though this postcode is within shouting distance of its brethren at Bishopsgate. Borough, where the Shard is located is an artery in the heart of London’s folk lore and there’s still the odd hint of what took place there before all the money moved in.

Amongst these residues is the Cross Bones Cemetery on Redcross Way. If casually wandering back to the tube from Tate Modern on the Southbank, the cemetery is startling to happen across. Attached to iron gates, perhaps six metres long and three high, are hundreds if not thousands of colourful ribbons, love hearts, teddy bears, poems, dream catchers, letters and flowers. Billowing in the wind at dusk, it’s spine-tinglingly unexpected, uncanny even. The land behind the gates belongs to TFL or Transport for London. In 1990 whilst building a substation for the city’s Jubilee Line extension, the bodies of approx 150 women and children were found, thought to be an estimated 1% of the number of bodies subsumed into the ground.  

The site, you see, is what’s known as a pauper’s burial ground and before that an unconsecrated burial ground for the city’s sex workers. Medieval prostitution was licensed by the Bishop of Winchester to work within the Liberty of the Clink, as Southwark, home to Borough, was known. Taxable in life yet dishonourable in death the women, known as the ‘Winchester Geese’, were forbidden a religious funeral and were buried in this pagan ground where they lay, undisturbed. Eventually the graveyard was home to the bodies of children and finally paupers until it was closed in 1858, ‘completely over-charged with dead’ and forgotten about.

The Cross Bones Cemetery, now a memorial garden, is, according to one care- taker I spoke with, a feminine place with a female spirit sitting as it does beneath the great phallus of the Shard. John Constable, a druid who has lived in Borough for almost 30 years, took charge of the Winchester Geese and, finally, fought their corner. On the 23rd of each month he gathers with a group, sometimes 10, sometimes 40, to honour the outcast, dead and alive. Well kept and ever growing, the garden, on temporary lease from TFL for the next three years, is a sanctuary. Trees play host colourful mementos, a mound covered in shells sits at the centre surrounded by two freshly built raised flower beds. A shelter, build by a local architect and enthusiast, gathers rain water to feed the pond.

The Cross Bones Cemetery is important to many people, for many reasons and is subject to continued lobby by local residents to maintain the space as it is, safe from the hands of the developers. It’s eerie to sit there amongst the dead, right by a power station, opposite a wine bar looking over to the city. And it’s a little bit strange these mounds and small shrines, separate as they are from any explanation. But it’s also gentle and indeed, female, and really quite beautiful. It is, somehow, the London we come looking for but can never quite find. 

Send Elsewhere for Christmas this year

If you have read and enjoyed our journal over the last year, why not send a special someone a copy or two for Christmas this year. We have put together a special Christmas Gift Offer, including unique wrapping and a personalised message, and we will be sending them out on December 7th.

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ELSEWHERE CHRISTMAS SPECIAL

Five Questions for... Nick Gadd

The next in our series of interviews about home and place with the editors and contributors to Elsewhere is with Nick Gadd. Nick’s article Ways of looking at a ghost explores the ghostsigns of Melbourne and appears in the current edition of the journal.

What does home mean to you?

The western suburbs of Melbourne, in particular Yarraville, have been our home for the last 20 years. It’s a place with a fascinating industrial history, interesting architecture and the other stuff that you want like bookshops, cafes, pubs and cinemas. What makes it home, though, is the fact that this is where we’ve worked, studied, where our kids have gone to school, we’ve made friends, all the simple experiences of life. Gradually we’ve learned about the history of the place, and we’ve woven our own stories into it. Most of my writing is about Melbourne in some way, especially the west. I can’t imagine feeling at home anywhere else, although I came here fairly late, when I was already in my late 20s.

Where is your favourite place?

I’m very happy wandering the inner suburbs of my city, especially if it’s a part of town I don’t know, somewhere with bluestone laneways and red brick factories, ghostsigns, old shops, maybe a bit of street art, and intriguing stories to discover. Roving further afield, I visited San Francisco last year and was immediately smitten. Like Melbourne it’s a former Gold Rush town that grew very fast and has experienced a lot of immigration – you get the sense of diverse stories on top of each other, great creativity and energy, and natural beauty as well.  

What is beyond your front door?

A street of small weatherboard houses like ours, a creek, a primary school, and the distant West Gate Bridge which carries traffic across the river Yarra from west to east and back – it’s a great sight, especially at night, when it’s lit up like an illuminated ribbon. Underneath it there’s a nature reserve, where land reclaimed from a former quarry has been replanted with native species, and there are mangroves growing in the water right below the bridge. And not far off there are oil refineries, and beyond them the docks. It’s a weird mixture of heavy industry with little pockets of nature quietly thriving amongst it all.

What place would you most like to visit?

I actually have a wish list of destinations which I made about 15 years ago. They include Frida Kahlo’s house in Mexico City, the Ideal Palace of the Postman Cheval in Hauterives, which is a surrealist icon, and Easter Island. Needless to say I haven’t been to any of them. But maybe this will inspire me to revisit the project. These days, thanks to Google Earth, it’s pretty easy to visit almost anywhere virtually, which may make us lazier, or may inspire us – I can’t decide.

What are you reading?

I’ve been working my way through the complete works of Robert MacFarlane, as I’m sure is compulsory for all readers of Elsewhere, and have just finished Mountains of the Mind. It’s a history of the relationship between people and mountains from the 17th century to the present, along with MacFarlane’s account of his own mountaineering experiences. I’m also reading Anson Cameron’s new novel The Last Pulse which is about a man who blows up a dam to liberate the water that the Queenslanders have ‘stolen’ from the southern states. You would think it’s hard to write a comic novel about eco-terrorism but Cameron manages it. He’s just sent the Minister for the Environment floating down the river trapped in a portable toilet, which is not something I’ve encountered before in literature.

You can order Elsewhere No.02 featuring Nick’s article on the ghostsigns of Melbourne via our online shop